In my humble opinion, the absolute pinnacle of pulp adventure translated to a visual medium was the 1964 cartoon Jonny Quest. There's been nothing like it before and nothing that has measured up to it since.
Also, as a kid who grew up fascinated by the wonders of Willis O'Brien's King Kong, the works of Ray Harryhausen and the stop motion animated dinosaurs of Land of the Lost, I've had a life long passion for animation and especially stop motion.
Now the two have come together. Roger Evans, who did the scene by scene recreation of the Jonny Quest intro which went viral last year, has put some thought behind "converting" an entire episode. I think that would be fantastic! The thing is, is that he'll need some help as it will be a full time job to pull it off. This is something that I think is truly worthy of any pulp adventure fan's efforts.
Take a look at this behind the scenes diary of everything that went into making the opening credits happen. I tell ya it is a LOT of work! If you click on a picture, it will open to a page showing a whole in depth look at the process of how that scene was constructed.
Please check out his kickstarter campaign and help out if at all possible! Unfortunately I had not heard about this earlier as this campaign seems to have gone much less viral than the original opening credits film did. There are only 8 days left as of today September 18, 2012.
While perusing Steven Reid Harbin's Facebook group "Pulp Magazine Authors and Literature Fans", one Patricia Boeckman posted about her husband's (Charles Boeckman AKA Charles Beckman Jr) now available collection of past pulp stories; SUSPENSE, SUSPICION & SHOCKERS. I asked if she wouldn't mind posting more info about Charles' work and Mr. Boeckman himself generously gave us some biographical history:
Boeckman shared ink with other pulp legends such as Mickey Spillane and William Irish (AKA Cornell Woolrich)
I
sold my first pulp suspense story in 1945 to Mike Tilden the editor of
Detective Tales. Once I broke into the pulps, I had a steady stream of
short stories and novelettes published by Popular Publications both
suspense stories and Westerns and other publishers such as "Pursuit,
Malcolms, Manhunt, Alfred Hitchcock, Publishers paid one cent a word for
stories in those days. One could make a good living if he or she could
turn out a lot of stories. I wrote all of my stories first draft (as
did other pulp writers I knew). I could write a 5,000 word story in a
day. (One day I wrote a 9,000 word novelette in a working day.(no time
for much revising.) We used mechanical typewriters. The Royal portable
was the choice of many of the writers I knew.
I grew up in
Texas so knew a lot about rattle snakes so I used that for a basis of my
first story, STRICTLY POISON. Once I was making a living from full
time writing I visited many of the big cities, San Francisco, New
Orleans and New York. My favorite was Manhattan where I had leased a
small apartment a block from Central Park west. New York was the center
of the publishing business so I became friends with many of the best
known editors of the pulps. I also got to know the top writers in the
field, such as Day Keene (he was on the cover of almost every pulp story
magazine) Talmage Powell, Gil Brewer, Harry Whittington, and others.
If you haven't read Boeckman before and are eager to start one of his stories is on amazon as book and audiobook.
In the 1920's,30s, and 40s a large segment of the population got their
entertainment from radio and magazine stories. Every month the
magazine stands were filled with fiction stories-- suspense, murder,
action, love and science fiction stories and others. The pulp stories
(so called because of the cheap pulp paper on which they were published)
sold for ten or fifteen cents and had ten or fifteen stories. I
started reading the pulps when I was ten years old. I grew up in the
Great Depression. We had enough to eat but not any left over for music
lessons. I taught myself to play clarinet and saxophone listening to
phonograph records. When I left home I had $30 in my pocket, a used
portable typewriter and some musical instruments from a pawn shop. I'd
always liked the seashore so I took a bus to Corpus Christi, Texas. The
next day I had a part time day job and a week-end job playing music.
Those were the days of the big band era: Benny Goodman, Count Basie,
Artie Shaw, Duke Ellington, Pete Fountain, Fatha Hines, Satchmo
Armstrong. I later wrote a book on the history of jazz, Cool. Hot and
Blue. I have a copy that was autographed by all of the above.
One of the first pulps Beckman appeared in.
My writing and music gave me an exciting life and the freedom to travel.
I married a beautiful and talented young lady, Patti Kennelly who
also had talent as a writer. We collaborated on 26 love stories for
Silhouette and Harlequin that sold world wide over two million
copies. I'm now 91 looking back over a creative and exciting life.
Patti has encouraged me to make a collection of my short stories going
back to my first pulp sale in 1945. The collection will be published
soon.
Charles at his website had this to say about one of the stories in the upcoming collection:
This excerpt is from a story entitled, “Eddie Builds His Mouse Trap,”
from my anthology of short stories that I wrote beginning in 1945. The
style of some of the stories in the collection is crisp, biting, and
and punchy. Short sentences. Quick observations. Brief descriptions.
Some are more in the Alfred Hitchcock style, with longer sentences and
psychological twists and turns.
EDDIE BUILDS HIS MOUSE TRAP
It was ironic. All the beautiful dolls Eddie Price had on his string,
and a plain little mouse like Ginny Potucek finally hashes him up.
The morning he was going to kill her, she came out of the kitchen,
her face flushed and damp from the heat of the stove. She was untying
her apron. “Eddie, we’re out of bread. I’ll have to run down to the
grocery store.”
“Oh?” Eddie said. Not that he was really surprised, having just tossed their last loaf out in the alley.
SUSPENSE, SUSPICION & SHOCKERS A collection of 24 short stories by Charles Boeckman and is now available at amazon.com.
He stood in front of the dresser mirror, whistling, buttoning up a
clean white shirt. It was easy to see why the dames fell all over Eddie
Price. He was six feet of man, adequately spread out around the
shoulders and chest. He had lazy, grey eyes that would drift over a
girl, caressing her, sending shivers up her spine, and a shy, little-boy
grin that twisted her heart. After that, she’d be a fit subject for
Freud if she didn’t run her fingers through his thick black hair and
whisper in his ear.
But he wasn’t thinking about dames at the moment. His fingers were
all thumbs, knotting his tie, and there was a sick pit of nausea in his
stomach. In a few minutes he was going to kill his bride of two months,
Ginny, in a very messy way. He wasn’t too enthusiastic about it. You can read more about Patricia, Charles and more excepts from the new book at charlesboeckman.com
UPDATE! The Trial of the Octopus is now up for pre-order, with a scheduled release of Oct 1st 2012. This is on three DVDs with 14 out of 15 episodes, missing episode 9. Go to the order page here.
Below are segments from my original informational post from 2010:
Although we may never see the complete serial of THE MYSTERIES OF MYRA
there are other serials that may be just as amazing from the silent
movie era. Serials where it is obvious that a lot of money, time and
creativity went into the productions. One that will hopefully be
available in Spring 2011 is THE TRAIL OF THE OCTOPUS. This is another
revelation from the age of the silents; where an amazing globe-trotting
adventure comes to life as we meet great detectives, evil cults and
mysterious strangers, spanning from a lost city in Egypt to the streets
of San Francisco.
THE TRAIL OF THE OCTOPUS (not to be
confused with the book by Goddard & Coleman) is a serial from
1919 consisting of 14 episodes totaling 7 hours. From the Serial
Squadron's page the story goes:
Dr. Reid Stanhope, a noted scientist, and Raoul Bornay, a Frenchman of
questionable standing, set out upon an expedition to explore the
mysteries of ancient Egypt. With their caravan of natives and camels,
they pierce the very heart of the great Sahara Desert in their search
for the Temple of Death and the sacred Talisman of Set, both considered
mythological by everyone except Dr. Stanhope.
After weeks of searching they discover a sarcophagus upon which
hieroglyphics read: “He that toucheth or taketh away the Sacred
Talisman of Set will bathe his hands in human blood.” Reaching inside
the sarcophagus, Stanhope takes out the Sacred Talisman which is also
known as the Devil's Trademark – the cloven hoof of Satan.
From the moment the Talisman is released, murder and destruction run
rampant. Stanhope is forced to kill Bornay when attacked by him and
Bornay's final words are “Don't think you killed a friend – they sent
me to get you and the Talisman.” Who “they” are provides the foundation
for the story of the rest of the serial, which takes place after
Stanhope returned to civilization.
When
we pick up the story from there, we see Stanhope telling his niece
Ruth he has never had a moment's peace since he hid the Devil's
Trademark in a rock vault – he's been haunted by the sudden mysterious
appearance of a pair of uncanny looking eyes. While Dr. Stanhope tells
the story, a thunderstorm arises and the “eyes” appear outside. He
tells Ruth she must get rid of the Talisman as it endangers her life.
He takes a dagger from a drawer and says, “Eight other daggers like
this are in the hands of eight fellow scientists for safe-keeping. You
must have all of them to get the combination of the rock vault, in
which is hidden the sacred Talisman.”
When Stanhope receives a telephone call from the mysterious masked
Monsieur X, who tells him that his friend, Professor Hubbard, one of
the scientists, is dead, Ruth runs across the street to call on Carter
Holmes, the criminologist, taking the dagger with her.Stanhope's
scream in the distance begins a chain of events that leads to the
kidnapping of Ruth by a clan of Devil Worshippers headed by a sorceress
named Madame Zora, and a three-way battle between Holmes, the
Devil-cult, and an Asian mastermind known as the Octopus to possess the
Talisman by collecting the remaining daggers and placing them together
in a cliffside vault that will reveal its secret.
An extremely atmospheric serial, heavily influenced by aspects of THE
MYSTERIES OF MYRA (the Devil-cult with its crystal ball, and characters
who disappear into astral form), and anticipating DRUMS OF FU MANCHU in
its noir-ish look, THE TRAIL OF THE OCTOPUS changes location and
emphasis many times but remains generally in early pulp/detective/horror
mode throughout, with more than the occasional element of the
paranormal thrown in to kick the mystery up a notch.
This
serial is being restored by the Serial Squadron and even some missing
scenes are being re-filmed with contemporary actors in order to have the
story be as complete as possible.
TRAIL OF THE OCTOPUS is $40 for 2 double-sided DVDs. This
is a very fair and reasonable price for a micro-production which is
putting out a small run, but professionally restored and extremely rare
serial. You won't find this serial anywhere else because it does not
exists anywhere else. This DVD set is being digitally remastered from a
35mm print from the Library of Congress.
Along with the
visual restoration the Squadron's Eric Stedman has mixed a new sound
track including music that is scene relevant along with sound effects
for important points of nuance. This in my opinion really adds a layer
of watchability and entertainment value to the whole project. You can
see and hear the results in a sample posted at the bottom of this entry.
Check out the first 15 minutes of the first episode of TRAIL here:
